My Grandmother’s Story and Mine

A blog post by Publishing Intern Pam Gainer

A printout of the interview-based biography that I wrote about my grandmother as a high-school assignment in 1994, alongside one of my grandmother’s page-a-day journals from the same year

I was shopping at an indoor flea market when I saw the grass-green plastic tray sitting on the floor, propped up against a piece of furniture in a booth. It was just the tray; the rest of the metal apparatus that had once made it a tray table was missing. It caught my eye because my maternal grandmother, June, had owned one just like it.

It’s funny the details you remember. I grew up next door to my grandmother and was in and out of her house all the time. My most vivid memories are of seeing her sitting in her recliner in her TV room, with that green tray table beside her. In my memory, it is covered with all manner of things—newspapers, a teacup, an empty plate with some crumbs left over from her toast or crackers, pens, pencils, a letter opener, some mail, and a round handheld magnifying mirror with tweezers for plucking her chin hairs. (She’d laugh if she saw I included those here.) And it always held her maroon hardcover page-a-day journal, with the year stamped in gold lettering on the front.

Today, I live in my childhood home with my family, and my brother and his family live next door in what was our grandmother’s house. My childhood bedroom is now my office, where my grandmother’s journals sit on my bookcase. There are eleven in all, one for each year from 1986 through 1996. Her entries become increasingly sparse and sporadic in the last few years. The final 1996 journal is mostly blank, and she passed in 1997. Year after year, she recounts the details of her days—the weather, what she made for Sunday dinner, who came to visit, and what my family had going on next door. I’ve scoured the pages, looking for something beyond those ordinary moments. There are a few, very rare, moments of emotion. Sometimes I can fill in details beyond what the words share, based on what I know now about her life and our family’s history.

I’ve heard it said that the mid-thirties is the age when life catches up with a lot of us, when we stop and look around and start to question what we’re doing. And that’s what happened to me. I followed the rules I had learned from my family and from society, yet I felt unfulfilled, anxious, and mostly I felt confused. I started questioning all I learned. Part of that process has involved looking back and piecing together my family’s history, with the intention of getting a broader picture of the forces that got me here. My grandmother’s story is a huge part of this.

June was a woman before her time, one who always worked outside the home and took care of her extended family. As a youth, the eldest of five children, she was expected to help at home. When any of her younger siblings got into trouble, she did, too. As a teenager during the Great Depression, she left school early each day to go to work at The New England Homestead Magazine. She loved being able to work and made herself indispensable, turning that high school job into a career. Eventually, she worked her way up to the advertising department, handling classified advertising, and later, display advertising.  After marrying, June left the magazine to help my grandfather run the family’s gas station and oil delivery business. When he passed away unexpectedly in 1976, she took over and became the first woman to be granted a contract to sell Mobil Oil-branded gasoline in the United States.

During my senior year in high school, we were assigned to write a biography about someone we knew, and I chose my grandmother June. I sat on her red chenille couch and interviewed her as she sat in her recliner across the room, with the grass-green tray table beside her. All the facts mentioned above came from her telling me her story that day. I must have asked her if she had learned anything over the course of her life that she wanted to share, because the biography concludes with her assertion, “All you really need to do is wear a smile, and everything will turn out to be just fine.”


“What if I had never interviewed her? Who would know this?”


Today, it still amazes me that most of what I know about her life is because of that biography assignment. Just as her journal entries are short on emotional or personal information, our family isn’t one to talk about challenging or tender topics. But during that interview, she opened up. My mother, June’s own daughter, told me that she didn’t even know much of what was in those seventeen pages I wrote in 1994. For example, when June married her first husband in 1939, she kept her marriage secret because it was common that companies wouldn’t employ married women. Then, when they were buying a home in 1940, the bank based their purchase on her husband’s income only. And then there’s the tragic story of her first husband dying of appendicitis in 1945 while he was in the Navy and they were stationed in California. June was pregnant and returned to Massachusetts by train, alone. I sometimes think, “What if I had never interviewed her? Who would know this?”

My grandmother started writing in her journals after she retired. She wouldn’t have had time to write while she was working and taking care of everyone. Did she start keeping the journal because she was bored after she retired? Was she always interested in writing, maybe because of her time working at The New England Homestead? Today, I scour my grandmother’s journals looking for clues about how she felt about her life, her work, and her family. I wonder about so much. I want to ask her, “What did that feel like for you? What do you think? We’re you afraid?” I do a lot of speculating.

The last page of her biography notes my sources. It says the interview with my grandmother took place on February 24, 1994. I pulled out her 1994 journal to see her entry on the day she told me her life story. At the top of the page, in her cursive handwriting, it says only the temperature and waking time:

L22, H34 Cldy
Up at 7:00. Chair.

The rest of the page is blank. Once again, I’m left wondering. As I looked at the empty space, I thought, “What did you think about telling me your story, Gramma?” I’m glad to have the words she did share, but I can’t help wanting so much more.

And even though I won’t have the chance to talk to her again, today I can work to pick up where she left off by staying committed to writing my own story, in my own voice…

February 26, 2026
Low 22, High 34
The sky is so clear and blue today. The sun is helping melt all of the snow. I was up at 5:30am. I love this quiet time before the rest of the house wakes up. It’s an opportunity to connect to myself.

I think it’s more than a coincidence that I’m writing these words almost to the exact day I interviewed Gramma, thirty-two years later.

I want to write more about what Gramma said about everything turning out just fine if you wear a smile. I wish I could talk to her about this. I wish I could tell her what I’ve learned in the years she’s been gone, and about all I’ve done to make the truth of how I feel inside match the smile I wear on the outside. I think she’d be proud.


Pam Gainer is publishing intern at Modern Memoirs, Inc. in spring 2026

An Offering

A blog post by Publishing Intern Pam Gainer


“Ring the bells that still can ring,
forget your perfect offering,
there is a crack, a crack in everything,
that’s how the light gets in.”
Leonard Cohen, “Anthem

A sunlit moment of presence during a winter walk at Silver Bell Farm in Monson, Massachusetts

What element of my Modern Memoirs publishing internship do I like best so far? I’ve only been here for about a month, but here are a few things I can offer:

I enjoy learning about the different clients and their needs and desires. Each client is unique, and the company works to be flexible and adapt to each one. Some clients are doing their own writing, while others are interviewed and have their stories written in-house. Some want a shorter book, some want a longer book. Books vary in size, and some are softcover, while others are hardcover with leather and gold-foil stamps. There are an infinite number of design possibilities; in the same way, there are an infinite number of human stories.

I was asked to share my writing by contributing posts to the company blog. My blog post about “Beginnings” was shared last month, and I am writing another post about my grandmother and her journals. I appreciate this very much.


“Here’s a question for you, dear reader: do you know the difference between output and offering?”


And while this is not something specific to this internship, it has felt great to go into an office and contribute. The last time I worked in an office was at a software development company thirteen years ago. So, this new role isn’t a small thing for me! Most of my professional career has been working for my family. It’s important to be in my MFA program now and to take on work out in the world.

Here’s a question for you, dear reader: do you know the difference between output and offering? I didn’t until recently, when I was researching different types of writing for a class project. As I engage in my internship and contribute what I can, I see how “output” is work completed with the energy of fixing a problem. “Offering” is work completed in flow, with presence. The distinction has me reflecting on my work, my writing, and on the years (a lifetime, really) I’ve spent trying to fix myself.  I’ve prioritized output over offering, and it has left me feeling like something is missing.

Fixing oneself is different from taking care of oneself. In the latter, healthier vein, I’ve been taking Pilates classes for the past three years, and I have the absolute best instructor. She owns the studio and is a beautiful teacher in so many ways. This winter, with the bitter cold here in Massachusetts, a pipe froze, flooding her studio. She had to cancel classes for the week. Today, she told us how glad she was to be back teaching, how much she needed to be back, for herself. And as a drove away, I thought about how her teaching is her offering.

To be able to contribute, to offer something to the world, is life-giving. It’s your energy, it’s your creativity. It’s you. And maybe the person your offering gives the most life to is you.

* * *

This post is slightly adapted from a piece I wrote for my MFA in Creative Nonfiction program at Bay Path University.  To see the original post, as well as more of my writing, visit my Substack, “Pam’s Daybook.”


 

Pam Gainer is publishing intern at Modern Memoirs, Inc. in spring 2026

Love Is a Memoir

Hearts, Cupid, and chocolates are all around, and I’m thinking about one of the main reasons people write memoirs and family histories: love. It is an act of love to pour your energy into writing, to delve into your psyche or the past—painful or distant or beautiful or conflicted—and record your memories, knowledge, or family lore. An account of feelings, reflections, or recollections is a gift to your loved ones, a golden gift that only you can give. It’s a window into your soul. It also can provide roots for family members or promote belonging, connection, and understanding among people.

However, writing can take so long, be so tiring, become so tedious. It’s easy to lose interest or momentum. Yet the rewards abound. Memory may not last, but books do.

Looking on the shelves here in our Modern Memoirs library, I can quickly spot titles that quite literally embody love. These are commissioned joint memoirs of couples, and I remember working closely and compassionately with these partners during their book projects. A few examples:

A Love Story: A Memoir—interviews with a family matriarch, augmented by stories and memories from her husband

The Hallam Family—interviews with an elder couple, including a WWII veteran’s war stories and photographs

Pam and Harry—interviews with a dynamic couple centered around family, family business, and community initiatives

Some memoirs include written contributions from family, colleagues, and/or friends:

Kaddishel, A Life Reborn—one man’s Holocaust experience, with extensive interviews of his contemporaries on three continents, conducted in a variety of languages and translated for the book. (Click on book cover or on title to read this open-source digital volume.)

An Unlikely Entrepreneur—narrative by a businessman diagnosed with frontotemporal dementia, with additional chapters written by his wife

Conitex Sonoco 35th Anniversary: In Celebration of José Luis Artiga—company history and retirement gift to former founder/CEO, with written tributes from colleagues and family

And then there are the more varied styles of memoir, compilations of authentic journal or diary entries, letters, poems, even notes on index cards:

Walking Together: A Mother and Daughter’s Journey through Aging and Alzheimer’s—imagined letters from daughter to her mother during her final years

“No Excuses” Love, Dad—notes on index cards written by a father and stuffed into his son’s backpack every morning before school

A Grandmother’s Diary—journal writings about raising bilingual grandchildren

Eighteen Letters from a father to his daughter—a father’s letters written, but never sent, to his daughter, from birth until she went off to college when he shared this book with her

Reading Proust to My Mother—memories from childhood through sunset years with a literary mother

All My Love Always, Your Gampy—hundreds of letters from a grandfather to his grandchildren, though they are still too young to read a book!

In every one of these personal books, love shines through in the words of each narrator, in that unique way only seen in writing—with thoughtful attention to memory, detail, phrasing, relationship, and what Wordsworth called “the breathings of your heart.”

Perhaps you’ve thought about writing and not yet jumpstarted it. Perhaps your writing is just sitting on a desktop, idle. Try to get to the next step! Get the book done. Some day, somewhere, some family members or friends will be interested. And I’ll bet they will love it.

Beginnings

A blog post by Publishing Intern Pam Gainer

My internship at Modern Memoirs is a component of my Immersion in Publishing class at Bay Path University. One assignment is to write regular blog posts incorporating our internship experience. Fittingly enough, in our first post for class, we were asked to write about “beginnings.”  Referring to the staff bio I wrote as one of my first tasks at Modern Memoirs, I wrote about authenticity and beginning again, sharing:

“I’m inspired by my boys, as I watch them go out into the world, knowing themselves and following their own unique paths. I see myself doing the same thing, only it’s happening during the second half of life.”

Here is a link to the full blog post, which appears on my Substack, “Pam’s Daybook,” where you can find more of my writing, too.


Pam Gainer is publishing intern at Modern Memoirs, Inc. in spring 2026

No Longer Viral

Salk Institute entrance

High on a cliff in La Jolla, California sits a marvelous building, the Salk Institute, and if you can ever get yourself there and take a tour, it is well worth it. From the website’s mission statement:

Unlocking the secrets of life itself is the driving force behind the Salk Institute. Our team of world-class, award-winning scientists pushes the boundaries of knowledge in areas such as neuroscience, cancer research, aging, immunobiology, plant biology, computational biology, and more. Founded by Jonas Salk, developer of the first safe and effective polio vaccine, the Institute is an independent, nonprofit research organization and architectural landmark: small by choice, intimate by nature, and fearless in the face of any challenge.

If the founder, mission, research and researchers weren’t astounding enough, the building, designed by renowned architect Louis I. Kahn, will astonish. I’ve visited a few different times and taken the tour, and each time walked away more fascinated than the time before. Given the chance to go back in time and redo my education and career, without a doubt I would become a scientist—that’s how inspired I feel.

If you aren’t or weren’t much aware of polio, it probably means that like me, you were born after 1955 and thus received the vaccine and may never have encountered anyone who’s actually had polio. You can look up for yourself the horrific, widespread effects of the disease. According to the World Health Organization (WHO), by the mid-20th century, polio could be found the world over, killing or debilitating over half a million people every year.

Scientists’ research offices

Remarkably, when Jonas Salk’s IPV vaccine was first introduced in 1955, polio cases saw a dramatic decline, falling from 58,000 to 5,600 by 1957, and finally to just 161 cases in 1961.

Salk recognized that fair access to the vaccine would help end the disease, and consequently he did not profit from sharing the formulation or production processes with the six licensed pharmaceutical companies. In a 1955 interview, Salk was asked who owned the patent for IPV. His reply: “There is no patent. Could you patent the sun?”

A true Helios, that Salk.

In 1960 he went on to enlist Louis Kahn in designing the Salk Institute, a residency for scientists embarking on their research. At the entrance of the complex is an infinity pool that extends out to a deep “Pool of Knowledge” surrounded by “Conversation Pits” where people are encouraged to share their ideas, dreams, and findings.

When stepping into this venerable space, one of the first things you see are Salk’s words carved into the Italian marble at your feet:

“Hope lies in dreams, in imagination, and in the courage of those who dare to make dreams into reality.”

In closing, I offer a few verses written while I was there in 2025:

For Jonas Edward Salk, M.D. (who would be age 111)

You were the brave soldier to plod onward
in the face of tragedy and illness,
hand in hand with a fierce reality,
pushing, pushing to find a piece of an answer
to overcome a relentless tsunami
of a dark disease.

In slaying a beast named Poliomyelitis,
you gave an answer and a hope
to the world ’round
for life itself,
for countless lives to live on and on
for beholden generations.

Built of your vision is the Salk Institute,
a Brutalist castle on a cliff
to welcome dreamers,
the scientists, seekers, and givers—
the humans devoted to that very human thing:
to analyze, to figure, to test and to cure.

This concrete wonder—
marble floor, teak beams, and
a travertine tableau paving the way for dreams—
pours an infinite line of liquid neurons
into pools of knowledge, of science,
and over a precipice into eternity, 
ever flowing forward, rivers of human trial and error,
turning mystery into the known,
while cradled in the universe of the unknown.

You give hope even as you aren’t here to say it.
You give honor to those science-soldiers who follow.
You embrace the world with your open arms
holding the globe in one small cell
or heaved upon your Atlas shoulders.

—Ali de Groot, 2025

All photographs © 2026 Ali de Groot


Ali de Groot is director of publishing for Modern Memoirs, Inc.

A Toast to Family History

Today the phone rang at the office, and I answered it to hear an excited voice say, “Hello! It’s Virginia, and I was so pleased to receive your solstice card once again!” 

The solstice card is the Modern Memoirs greeting card that we send twice a year to former clients/authors. And I knew immediately who Virginia was—a former client from over a decade ago. 

“Virginia! It’s almost your birthday!” I said. 

“Yes! I can’t believe you always remember that! And I’ll be 96 this week,” she answered, to my surprise. 

I remember her birthday because she wrote about it vividly in her memoir/family history, Sicily to America: [My Father’s] Life Story, which we published in 2014. Although it has been a while since we worked together to create her book, I still have in mind many of the personal yet fascinating details, especially that her father’s birthday was the same as hers.

Sketch of Virgina’s father’s wine press

Her father had come to the U.S. from Sicily and started a life in the Boston area. Virginia remembers the homemade wine press he had in the cellar. Every September her papa would buy Concord grapes—60 boxes of grapes—to make two barrels of wine. (There is even a sketch of the wine press in the book.) Her family members and cousins would take turns first crushing the grapes in the wine crusher, then pouring it into the wine press, and then transferring the juice into barrels through a strainer. The barrels would sit for at least a year for the fermenting and aging process.

I also learned from Virginia that in later years, every year on her birthday, she would have a small glass of red wine and toast to her father’s memory. I thought it was such a simple, gorgeous way of honoring her father. And so I always remembered the birthday—just around winter solstice time.


“Why write a memoir or family history? Because it is bigger than you, and it is your loving gift to the past, present, and future, and it will come around again just when you think everyone has forgotten.” 


Now, as we spent a few minutes on the phone catching up, our aged, familiar connection resumed. I toasted aloud to her and her father with an invisible wine glass. And I had that nourishing feeling I get every time a client’s book is finished and they are utterly relieved it’s in their hands—their work of love, an immediate gratification after an arduous job well done. I’m elated, knowing the invaluable emotional returns will come to the author year after year after year.

Why write a memoir or family history? Because it is bigger than you, and it is your loving gift to the past, present, and future, and it will come around again just when you think everyone has forgotten. 

Happy 96th birthday, Virginia, and we raise a toast to you and your father. Remembrance is a blessing.


Ali de Groot is director of publishing for Modern Memoirs, Inc.